Sean Oakley Vs Scalping

“Scalping categorically and emphatically do not fuck about” - Loud & Quiet

Neither does Sean Oakley, who’s produced, mixed and engineered their most recent single, Deadlock. It’s a skull crushing four minutes of electronica blended with post rock, recommended for fans of 65Daysofstatic, the Chemical Brothers and getting out of your tiny mind.

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Rocky O’Reilly Vs RTS NI

Change of scene for Mr Rocky O’Reilly on this one. Recently Rocky was invited to mix the soundtrack to Lost Lives, a major cinematic film inspired by the book of the same name, a record of the circumstances of every individual who lost their lives in the Northern Irish ’Troubles.’

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Owen Lewis Vs John Lingard

Even though you can’t really get into Australia without a very good reason and a lengthy stay in a state-approved hotel, Owen Lewis is still trying to do his bit and bring some transcontinental magic into our lives. Broken Receiver is the result of his lengthy collaboration with John Lingard.

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Owen Lewis Vs Henry Brill Vs Old Sea Brigade

Friends Vs Music double header on this one.

How It Works is the first single from Old Sea Brigade’s sophomore album, out on Nettwerk next spring. Henry Brill co-wrote the song with OSB and Owen Lewis produced and mixed it (as well as the rest of the album). I’m lucky enough to have heard it and it is MEGA. And this single has a video with a cowboy in it, which is always something I can get behind.

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St£fan Vs push baby

More joy from St£fan’s long running collaboration with Manchester’s push baby. It’s pop put through St£fan’s skee-wiff filter of cassettes, 80s gadgets and other weird shit he keeps in his studio and it’s utterly joyous.

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Owen Lewis Vs The Overstory

The Overstory is a new band formed by three very special human beings; vocalist and pianist, Audrey Assad; much vaunted producer Marshall Altman on guitar; and drummer (and member of Death Cab for-bloody Cutie) Jason Gerr. Owen engineered and mixed their newest track, Calm.

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